How To Draw Neck And Shoulders
How to describe the neck and shoulders with Jake Spicer
By Artists & Illustrators | Midweek 20th Mar 2022
Artist and tutor Jake Spicer takes an in-depth look at how to create anatomically accurate images
You don't need to know anything near anatomy to brand a good life-drawing. When you lot first learn to depict, it is ofttimes all-time to be an unthinking middle – drawing what you run across without filtering through your intellect. However, as yous go more than confident and competent, you might find a practical agreement of the trunk's major anatomical landmarks volition help you to make clearer observations of the shapes yous see on the pare's surface. Here nosotros explore the aspects of anatomy that I find most useful to bear in listen when cartoon the homo figure.
Neck and shoulders
Information technology is the relationship between head and shoulders that often sets the calibration of the entire figure, with the neck bridging the gap between the face and the residuum of the body. The drawings on the opposite folio selection out some of the most useful shapes to notice in the neck and shoulders. Experience the shapes of your own trunk: the ropey muscles of the sternomastoid muscles, running from behind your ear to your collar os; the mass of the trapezius – the muscles you might massage if you'd been drawing all day long; the deltoids – shoulder caps at the superlative of your arms. I've avoided drawing vertebrate into the spine or ribs into the ribcage so that you just find their mass and position – information technology is the jaw, collar basic and shoulder blades that are shut to the surfaces and can be most easily seen and felt below the pare.
Jake'southward materials
Charcoal pencil
Conte crayon
Cartridge Newspaper
Things to note
The surface
Musculature
Os structure
Top Tip – Call up of the trapezius and collarbone as shaped like a coat hanger, they are shoulder shaped after all.
Putting noesis into practice
A effective approach to figure cartoon nods straight to the beefcake of the trunk. Try starting a life drawing with a skeleton of quick, gestural lines that reference bone structure, followed by muscular masses that can be layered on to that internal scaffolding like clay on a wire armature.
Armature
Start elementary, drawing in the mass of the skull – attic and jaw – before finding an imagined line for centre the spine, bisected by a horizontal line from shoulder to shoulder to propose the presence of the collar bone.
Masses
Add form to the wireframe of the trunk – look for the sterno-mastoid muscles running from ear to clavicle either side of the neck, framing the wedge of the throat. Draw in the coat-hanger triangle of the trapezius and the caps of the deltoids at the tops of the artillery.
Surface
Rub your initial structure back and utilize a new, clean line to pick out the edges that you lot observe on the surface of the skin – notice how the contours of the trunk form themselves over the underlying musculature, supported past the bone structure.
The Shoulder Girdle
The shoulder girdle, encompassing scapulae and collarbones, sits like a crown over the mass of the rib cage. Seen from to a higher place it creates a diamond-shaped form, supporting the arms at two corners and but attaching to the ribcage at the forepart, where the collar bones dip to a deeper V when the shoulders rise.
Tilts and turns
The ears, sitting at the top of the neck, provide a pivoting point equally the caput tilts back and forrad. When the head is tilted back, the sterno-mastoid becomes taught and the cervix is exposes – the distance between mentum and clavicle increasing. As the head tilts down, that altitude closes once again, an imagined line from the ear to the underside of the nose suggesting the extremity of the tilt.
Images property of Jake Spicer. For more data visit http://world wide web.jakespicerart.co.u.k./
For more how to illustration guides click here, or click to find out how to draw eyes with Aine Divine.
Source: https://www.artistsandillustrators.co.uk/how-to/illustration/2140/how-to-draw-the-neck-and-shoulders-with-jake-spicer
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